The Scottish Novel in 1824 In brief Date - 1 July 2024 Venue - Project Room 1.06, 50 George Square (panel, lecture); Centre for Research Collections (workshop) Format - A workshop, panel, and keynote lecture from Professor Ian Duncan (University of California, Berkeley) Book your free ticket on Eventbrite About the event This one-day symposium marks the bicentenary of 1824, an 'annus mirabilis' in the history of Scottish fiction that saw the publication of two experimental masterpieces: James Hogg’s The Private Memoirs and Confessions of a Justified Sinner and Walter Scott’s Redgauntlet. More generally, this was a moment of ascendancy for ‘Scotch novels’, with the instability wrought by the financial crash of 1825/6 yet to materialise, and with the Edinburgh milieu at the heart of anglophone literary culture. This event features a keynote lecture from Professor Ian Duncan (University of California, Berkeley), and is hosted by Scottish Writing in the Nineteenth Century (SWINC) at the University of Edinburgh. It is supported by the Institute for Advanced Studies in Humanities. Visit the SWINC website Visit the Edition website About the lecture 1824 brings to a head the treatment of a distinctive preoccupation of Romantic-period Scottish fiction, its reckoning with the past – specifically, with a lost, disavowed, or broken past that persists, in fragmented and occult forms, into the present. The break with the past may bring disorientation and alienation but also freedom to reshape the future. What do we inherit, what continues in us and forms us, overriding our own knowledge, desire and will – conversely, what can we select and adapt from the past, reject or carry forward? Modern Scottish history, with its layering of discontinuity and synthesis, gives these questions an urgency that is largely absent from contemporary English fiction. Walter Scott’s Redgauntlet and James Hogg’s Private Memoirs and Confessions of a Justified Sinner feature episodes that scramble the relation between genetic inheritance (an ancestry inscribed in the body) and cultural heritage (religious, political, moral), associated, in both cases, with sons severed from paternity. Susan Ferrier’s second novel The Inheritance stages the questions around the conventions of the domestic national tale and the plot of ‘a young lady’s entrance into the world’. Matthew Wald, John Gibson Lockhart’s fourth and last novel, brings a full-scale Gothic internalization and psychologization of the stresses of public history. Symposium schedule 1pm to 1:45pm, Centre for Research Collections, 6th Floor of the Main Library, George Square: ‘The Scottish Novel in 1824’ special collections ‘show and tell’ workshop, featuring rare books and other material from the university Heritage Collections and from Selkirk Museums. In collaboration with Edition. 2pm to 2:15pm, Project Room 1.06: Tea and coffee break 2:15pm to 4:30pm, Project Room 1.06: Introduction and panel session Angela Esterhammer (University of Toronto), ‘Counterfact and Metafiction: Rothelan and Redgauntlet’ Penny Fielding (University of Edinburgh), ‘Secrets rent asunder: James Hogg and Alexander Richmond’ Gerard McKeever (University of Edinburgh), ‘Weird Scott: Out Upon a Frolic in 1824’ David Stewart (Northumbria University), ‘James Hogg on the Run in the Magazines’ 4:30pm to 6pm, Project Room 1.06: Keynote lecture by Professor Ian Duncan (University of California, Berkeley) - 'Broken Inheritance: Burdens of the Past in Scottish Fiction, 1824'. How to attend This event is free to attend and open to all. Spaces are limited, so you can reserve your spot on Eventbrite. Tickets for the workshop at the start of the day must be booked separately, as the capacity of its venue is smaller. Book your free ticket on Eventbrite Are you interested in English Literature at Edinburgh? We offer a wide range of undergraduate programmes, taught masters, and research degrees, including a Masters by Research and a PhD. As an undergraduate, you will read works of literature written in English from around the world, and encounter a range of ideas about the nature and purpose of literary study. Our courses explore the relationship between literary texts and the construction of national, international and imperial cultures. Working with colleagues in LLC and across the wider University, we are able to support postgraduate research which crosses boundaries between languages and disciplines. Find out more about studying English Literature Jul 01 2024 13.00 - 18.00 The Scottish Novel in 1824 A one-day, in-person symposium consisting of a workshop, panel and lecture, in celebration of the bicentenary of a landmark year for Scottish fiction. Project Room 1.06 50 George Square University of Edinburgh EH8 9LH and Centre for Research Collections Find the venue: 50 George Square Book your free ticket on Eventbrite
The Scottish Novel in 1824 In brief Date - 1 July 2024 Venue - Project Room 1.06, 50 George Square (panel, lecture); Centre for Research Collections (workshop) Format - A workshop, panel, and keynote lecture from Professor Ian Duncan (University of California, Berkeley) Book your free ticket on Eventbrite About the event This one-day symposium marks the bicentenary of 1824, an 'annus mirabilis' in the history of Scottish fiction that saw the publication of two experimental masterpieces: James Hogg’s The Private Memoirs and Confessions of a Justified Sinner and Walter Scott’s Redgauntlet. More generally, this was a moment of ascendancy for ‘Scotch novels’, with the instability wrought by the financial crash of 1825/6 yet to materialise, and with the Edinburgh milieu at the heart of anglophone literary culture. This event features a keynote lecture from Professor Ian Duncan (University of California, Berkeley), and is hosted by Scottish Writing in the Nineteenth Century (SWINC) at the University of Edinburgh. It is supported by the Institute for Advanced Studies in Humanities. Visit the SWINC website Visit the Edition website About the lecture 1824 brings to a head the treatment of a distinctive preoccupation of Romantic-period Scottish fiction, its reckoning with the past – specifically, with a lost, disavowed, or broken past that persists, in fragmented and occult forms, into the present. The break with the past may bring disorientation and alienation but also freedom to reshape the future. What do we inherit, what continues in us and forms us, overriding our own knowledge, desire and will – conversely, what can we select and adapt from the past, reject or carry forward? Modern Scottish history, with its layering of discontinuity and synthesis, gives these questions an urgency that is largely absent from contemporary English fiction. Walter Scott’s Redgauntlet and James Hogg’s Private Memoirs and Confessions of a Justified Sinner feature episodes that scramble the relation between genetic inheritance (an ancestry inscribed in the body) and cultural heritage (religious, political, moral), associated, in both cases, with sons severed from paternity. Susan Ferrier’s second novel The Inheritance stages the questions around the conventions of the domestic national tale and the plot of ‘a young lady’s entrance into the world’. Matthew Wald, John Gibson Lockhart’s fourth and last novel, brings a full-scale Gothic internalization and psychologization of the stresses of public history. Symposium schedule 1pm to 1:45pm, Centre for Research Collections, 6th Floor of the Main Library, George Square: ‘The Scottish Novel in 1824’ special collections ‘show and tell’ workshop, featuring rare books and other material from the university Heritage Collections and from Selkirk Museums. In collaboration with Edition. 2pm to 2:15pm, Project Room 1.06: Tea and coffee break 2:15pm to 4:30pm, Project Room 1.06: Introduction and panel session Angela Esterhammer (University of Toronto), ‘Counterfact and Metafiction: Rothelan and Redgauntlet’ Penny Fielding (University of Edinburgh), ‘Secrets rent asunder: James Hogg and Alexander Richmond’ Gerard McKeever (University of Edinburgh), ‘Weird Scott: Out Upon a Frolic in 1824’ David Stewart (Northumbria University), ‘James Hogg on the Run in the Magazines’ 4:30pm to 6pm, Project Room 1.06: Keynote lecture by Professor Ian Duncan (University of California, Berkeley) - 'Broken Inheritance: Burdens of the Past in Scottish Fiction, 1824'. How to attend This event is free to attend and open to all. Spaces are limited, so you can reserve your spot on Eventbrite. Tickets for the workshop at the start of the day must be booked separately, as the capacity of its venue is smaller. Book your free ticket on Eventbrite Are you interested in English Literature at Edinburgh? We offer a wide range of undergraduate programmes, taught masters, and research degrees, including a Masters by Research and a PhD. As an undergraduate, you will read works of literature written in English from around the world, and encounter a range of ideas about the nature and purpose of literary study. Our courses explore the relationship between literary texts and the construction of national, international and imperial cultures. Working with colleagues in LLC and across the wider University, we are able to support postgraduate research which crosses boundaries between languages and disciplines. Find out more about studying English Literature Jul 01 2024 13.00 - 18.00 The Scottish Novel in 1824 A one-day, in-person symposium consisting of a workshop, panel and lecture, in celebration of the bicentenary of a landmark year for Scottish fiction. Project Room 1.06 50 George Square University of Edinburgh EH8 9LH and Centre for Research Collections Find the venue: 50 George Square Book your free ticket on Eventbrite
Jul 01 2024 13.00 - 18.00 The Scottish Novel in 1824 A one-day, in-person symposium consisting of a workshop, panel and lecture, in celebration of the bicentenary of a landmark year for Scottish fiction.
