T-Z

Books, chapters and articles.

Image
Carson Pirie Scott Building
pacodog via iStock.com

'Les superbes ornements de ferronnerie 1900 dont Louis Sullivan a orné le grand magasin Schlesinger Meyer, aujourd’hui Carson Pirie Scott, la dernière grande œuvre qu’il ait construite à Chicago: spirales, tourbillons, épines, germinations, thèmes, réponses.'

Mobile

 

  • Tamuly, A. M., ‘Un déterminisme de comédie: A propos de La Modification de Michel Butor’, Australian Journal of French Studies, vol. 9, no. 1, 1972, 86-97
  • Thody, Philip, 'Michel Butor: La Rectification', La Revue des Lettres Modernes, nos. 94-99, 1964, 67-73
  • Valette, Bernard, ‘L’Oeuvre romanesque de Michel Butor, une écriture de la modernité?’, La Revue des Lettres Modernes, nos. 1052-1057, 1992, 61-94
  • Valette, Bernard, Butor: La Modification, Paris, Ellipses, 1999
  • Valette, Bernard, 'Poetique/politique chez Michel Butor', Revue des Lettres Modernes, nos. 1458-1464, 1999, 63-83
  • Valette, Bernard, 'Michel Butor: Le « Nouveau roman » comme écart', in Roger-Michel Allemand (ed.), Le 'Nouveau roman' en questions, 4: Situation diachronique, Paris, Minard, 2002, 47-65
  • Vega y Vega, Jorge Juan, 'L'Ethos romanesque chez Michel Butor: Rhétorique, linguistique et littérature', Orbis Litterarum, vol. 61, no. 5, 2006, 341-60.
  • Viswanathan, Jacqueline, 'Position du narrateur dans A la recherche du temps perdu et L'Emploi du temps de Michel Butor', in Walter C. Kraft (ed.), Proceedings: Pacific Northwest Conference on Foreign Languages, Corvallis Oregon State University, 1973, 182-86
  • Viswanathan, Jacqueline, 'The Innocent Bystander: The Narrator's Position in Poe's 'The Fall of the House of Usher,' James's 'The Turn of the Screw,' and Butor's L'Emploi du temps', Hebrew University Studies in Literature, no. 4, 197627-47
  • Waelti-Walters, Jennifer, ‘Butor’s Use of Literary Texts in Degrés’, PMLA, vol. 88, 1973, 311-20
  • Waelti-Walters, Jennifer R., ‘Butor’s Museums’, Contemporary Literature, vol. 18, 1977, 62-74
  • Waelti-Walters, Jennifer, Michel Butor: A Study of his View of the World and a Panorama of his Work, 1954-1974, Victoria B.C., Sono Nis Press, 1977
  • Waelti-Walters, Jennifer, ‘The Architectural and Musical Influences on the Structure of Michel Butor’s Description de San Marco’, Revue de littérature comparée, vol. 53, 1979, 65-75
  • Waelti-Walters, 'Jennifer Michel Butor and Lawrence Durrell', Deus Loci: The Lawrence Durrell Newsletter, vol.3, no. 4 1980, 15-20
  • Waelti-Walters, Jennifer, ‘Suppressed Rage as a Creative Force in Michel Butor’s Work: L’Emploi du temps and Répertoire V’, Romance Quarterly, vol. 32, no. 1, 1985, 49-54
  • Waelti-Walters, Jennifer, Michel Butor, Amsterdam, Rodopi, 1992
  • Waelti-Walters, Jennifer, 'Transnational Thought: Michel Butor and Jeanne Hyvrard', Dalhousie French Studies, no. 17, 1989, 85-92
  • Waite, Alan, ‘Butor’s Degrés: Making the Reader Work’, Australian Journal of French Studies, vol. 21, no. 2, 1984, 180-193
  • Walters, Jennifer R., 'Symbolism in Passage de Milan’, French Review, vol. 42, no. 2, 1968, 223-32
  • Walters, Jennifer R., 'Gide in the Work of Butor', in Ralph W. Baldner (ed.), Proceedings, Pacific Northwest Conference on Foreign Languages, Twenty-First Annual Meeting, April 3-4, 1970, Victoria, B.C., University. of Victoria, 1970, 1-8
  • Walters, Jennifer, ‘La Recherche géographique et historique de l’identité butorienne’, Marche Romane, vol. 21, 1971, 57-63
  • Walters, Jennifer, ‘Literary Alchemy’, Diacritics, vol. 1, no. 2, 1971, 7-14
  • Walters, Jennifer R., 'Cain and the Wandering Jew in Michel Butor's Novels', Cithara: Essays in the Judaeo-Christian Tradition, vol. 10, no. 2, 1971, 19-26
  • Walters, Jennifer R., ‘Butor’s Juxtaposed Selves’, Essays in French Literature, vol. 9, 1972, 80-87
  • Walters, Jennifer R., ‘Michel Butor and "The Thousand and One Nights"’, Neophilologus, vol. 59, 1975, 213-22
  • Warme, L G, ‘Reflection and Revelation in Michel Butor’s La Modification’, International Fiction Review, 1, 2, 1974, 88-94
  • Watson-Williams, Helen, 'French Images of Australia', Westerly: A Quarterly Review, vol. 28, no. 1, 1983, 62-69
  • Weiand, Christof, ‘Filiationen des Surrealistischen in den 1950er Jahren in Frankreich: Yves Bonnefoy und Michel Butor’, in Friederike Reents (ed.), Surrealismus in der deutschsprachigen Literatur, Berlin, Gruyter, 2009, 167-185.
  • Weiand, Christof (ed.), Les Graphies du regard: Michel Butor et les arts, Heidelberg. Universitätsverlag, 2013
  • Weinstein, Arnold, ‘Order and Excess in Butor’s L’Emploi du temps’, Modern Fiction Studies, vol. 16, no. 1, 1970, 41-55
  • White, Michael J., ‘Problematic Realisms: German Poetic Realism and Michel Butor's Portrait de l'artiste en jeune singe’, Modern Language Review, vol. 109, no. 4, 2014, 896-914
  • Wilson, Clothilde, ‘La Modification or Variations on a Theme by Mme de Staël’, Romanic Review, vol. 15, no. 4, 1964, 278-82
  • Witt, Susan C., 'The Equivocal Truth', Mosaic, vol 8, no. 1, 1974, 39-50
  • Wolf, Nelly, ‘L’Emploi du temps et les labyrinthes du nouveau roman’, Roman 20-50, no. 18, 1994, 139-49
  • Yuanyuan, Kou, La Poétique fragmentaire de la série du "Génie du lieu" de Michel Butor, Paris, Éditions Pacifica

For details of the contents of edited collections devoted to Michel Butor, see the website of Henri Desoubeaux, Dictionnaire Butor.