| 28 April 2022 | Online (Zoom) | Dr Aida Vallejo (University of Edinburgh/University of the Basque Country) | The Documentary Festival Ecosystem |
| 9 March 2022 | Online (Zoom) | Dr Alison Peirse (University of Leeds) | Toward a Feminist Historiography of Horror Cinema |
| 26 March 2021 | Online (Zoom) | Dr Michelle Devereaux (University of Warwick) | Stanley Cavell, Scepticism, and Gender in Contemporary Film and Television |
| 24 February 2021 | Online (Zoom) | Professor Robert Sinnerbrink (Macquarie University) | Reenactment, Memory, and Witnessing: Cinematic Ethics in The Look of Silence and S21: The Khmer Rouge Killing Machine |
| 30 October 2020 | Online (Zoom) | Professor J.E. Smyth (University of Warwick) | Film History's Vanishing Lady Act: The Case of Mary McCall |
| 6 February 2020 | Old College | Dr Catherine Wheatley (King's College London) | Isabelle Huppert’s Shoes: Thoughts on Cinematic Shoes, inspired by Stanley Cavell |
| 19 November 2019 | 50 George Square | Dr Lucy Fife Donaldson (University of St Andrews) | Layers of style: Design and embodiment in The Americans |
| 29 October 2019 | Old College | Dr E. Anna Claydon (University of Leicester) | And a Nice Chianti: The Culinary Treats of Hannibal Lecter |
| 14 October 2019 | 50 George Square | Dr Matthew Asprey Gear | Book Launch and Screening of Night Moves (Arthur Penn, 1975) |
| 18 March 2019 | 50 George Square | Professor Laura Rascaroli (University of Cork) | Between Affect and Scepticism: Nonverbal Lyricism and the Essay Film |
| 25 February 2019 | 50 George Square | Claudia Di Gianfrancesco (PG student at Birkbeck, University of London) | Desire in the Era of Neoliberalism: [SAFE] (Todd Haynes, 1995) |
| 12 February 2019 | 50 George Square | Dr Luz Horne (University of San Andrés) | Cinema of/as Garbage: Eduardo Coutinho’s Politics of Image from 'Jogo de Cena' (2007) to 'Boca de Lixo' (1992) |
| 5 December 2018 | 50 George Square | Associate Professor Calum Neill (Edinburgh Napier University) and Dr David Sorfa (Film Studies) | Crisis? What Crisis? Fantasies of Masculine Identity in Contemporary Cinema |
| 27 November 2018 | 50 George Square | Professor D. N. Rodowick (University of Chicago) | Powers of the Virtual in Contemporary Art |
| 15 November 2018 | Lister Learning and Teaching Centre | Dr Jeffrey Ruoff (Dartmouth College) | Location, Location, Location: The Landscape of Lussas, France in les États-généraux du documentaire |
| 13 November 2018 | 40 George Square | Dr Miriam Ross (Victoria University of Wellington) | Virtual Reality’s Disappearing Screen: The Ultimate Total Cinema? |
| 6 November 2018 | 40 George Square | Dr James MacDowell (University of Warwick) | On the Nature of Irony in Films |
| 9 March 2018 | 50 George Square | Jim Stubblefield | Beyond the Director: Assistant Property Master Jim Stubblefield in Conversation |
| 16 February 2018 | | Dr Angelos Koutsourakis (University of Leeds) | Modernist Belatedness in Contemporary Slow Cinema |
| 30 January 2018 | 50 George Square | Dr David Deamer (Manchester Metropolitan University) | Twilight of an Idol, or How to Film-Philosophize Bowie’s ★ with Deleuze after Nietzsche |
| 21 November 2017 | | Dr Mario Slugan (Ghent University, Belgium) | Holier than Thou: Noël Carroll and Ideology Critique |
| 22 November 2016 | | Mattias Frey (University of Kent) | The Crises of Film Criticism and the Promises of Film Studies |
| 26 October 2016 | | Dr William Brown (University of Roehampton) | Schrödinger’s Cinema: The Matter of Life and Death |
| 23 February 2016 | | Professor Duncan Petrie (University of York) | The Influence of Film Schools on European Film Culture |
| 5 November 2015 | | Dr Richard Baxstrom (University of Edinburgh) | Realizing the Witch: Science, Cinema, and the Mastery of the Invisible |
| 8 October 2015 | | Professor Lisa Downing (University of Birmingham) | Selfish Cinema: Questions of Gender and Control in Adaptations of Ayn Rand for the Screen |
| 24 September 2015 | | Professor Richard I. Suchenski (Bard College, New York) | Also like Life: the Films of Hou Hsiao-hsien |
| 13 March 2014 | 14 Buccleuch Place | Dr David Sorfa (University of Edinburgh) | The Force of Metaphor: Ritual Sacrifice and Fluid in the Films of Michael Haneke |
| 4 March 2014 | 40 George Square | Dr Charlotte Gleghorn (University of Edinburgh) | Time, Pre-Cinema and Indigenous Aesthetics in La raíz de la resistencia |
| 5 February 2014 | 40 George Square | Dr Libby Saxton (Queen Mary University London) | Iconic Photography as Proto-Cinema |