Intermediality and Care: an International and Interdisciplinary Workshop

In brief

Dates - 12 and 13 March 2026

Venues - Project Room 1.06, 50 George Square and Lister Learning and Teaching Centre

Format - A two-day workshop with 11 panels

About the event

As an in-between space, intermediality – understood as the interrelationships between media and their signification – is inherently connected to the experience and practice of care. The non-dual, non-essentialist concepts advocated by intermedial studies chime with the more fluid and hybrid conceptions of identity that dismantle imposed sets of representations (of, for instance, gender, sexuality, race, language).

In our times of distress, intermediality gives visibility to societal fractures and inequalities, creates lines of community beyond the national and nationalist identitarian agendas that are steadily on the rise, and disrupts monolithic and hegemonic world views. Helping individuals understand their anxieties with a view to overcoming them, intermediality as a creative practice can become an empowering form of self-care. Not least, intermediality is both a potent means to express and an artistic practice to exercise environmental care.

In light of rapid technological change and the fragmented time of hyper-productivity, working and thinking between the arts opens a space of freedom to reflect upon what we care for, what connects the human and non-human worlds, and for creating practices of being attentive to the rhythms of the living; it expands the senses, initiating synaesthetic modes of artistic expression.

In this workshop, we will be reflecting about the use of intermediality as a tool of (self-)care, a method that stimulates fresh thinking about therapy, clinical practice and pedagogy, and a vehicle to shape new networks of solidarity.

Themes/issues to be explored and considered include:  

  • architextures of care
  • urban and architectural mending
  • intermediality as a means to promote mutual understanding, mixity, dialogues, recognition of diversity and an ideal of social justice
  • self-care
  • environmental concerns
  • creative dialogues between intermedial theories and practices of care
  • building bridges between sociological, medical, and humanities approaches
  • intermediality in art therapy, clinical practice and pedagogy

Programme

9am - Welcome and workshop introduction

9:05am, Panel 1 -  Eco-criticisms of care in literature and cinema (Chair: Fabien Arribert-Narce)

  • Niklas Salmose (Linnaeus), ‘The senses of a changed world: an intermedial take on climate fiction’
  • Seyf-el Islam Nader (Aix-Marseille), ‘Intermediality and environmental care in Annihilation’
  • Felicia Stenberg (Linnaeus), ‘Disabled ecology: an intermedial intervention on disability and ideology in science fiction’

10:20am - Coffee break

10:30am, Panel 2 - Resilient identities at the margins: communities, solidarity and empathy (Chair: Sarah Tribout-Joseph)

  • Ryoka Hagiwara (Heidelberg), ‘Intermedial practices of care in Japanese American concentration camps’
  • Tom Routledge (Aix-Marseille), ‘From poem to performance: the intermedial expression of care and (dis)connection in Kae Tempest’s Let Them Eat Chaos’
  • Benoît Loiret (Edinburgh), ‘“For those rejected, denied, alone”: remembering the AIDS crisis in and beyond Charlie Porter’s Nova Scotia House’

11:45am - Lunch break

12:45pm, Panel 3 - Intermedial performances of care (Chair: Inma Sanchez-Garcia)

  • Hunter King (Edinburgh), ‘Intermediality as collaboration, communication, and care in theatre’
  • Yagmur Atlar (Linnaeus), ‘A rendezvous with fear: intermedial collective encounters in This is the Story of the Child Ruled by Fear’
  • Alexandra Huang-Kokina (Manchester), ‘Emotion, empathy, and care in AI? Unsettling intermedial aesthetics and affective paradigms through AI-driven opera’

2pm, Panel 4 - Adaptations and trans-mediations of care (Chair: Katie Pleming)

  • Iona Macintyre (Edinburgh), ‘“Ay, Juanito Laguna”: using intermediality to explore the concept of pity’
  • Jørgen Bruhn (Linnaeus), 'Female Care as an Ironic Solution to Oceanic Plastic Pollution? – thinking with Niceaunties, Sweeping the Floor'
  • Mattia Petricola (L’Aquila), ‘Intimacy as care in fan fiction: the case of Dante’s Divine Comedy’
  • Evan Falls (independent scholar), ‘“Just keep telling the story”: intermediality as transgenerational care in Wes Anderson’s films’

3:30pm - Coffee break

3:45, Panel 5 - Intermedial sites of care 1 (Chair: Rumiko Oyama)

  • Niki Cleland-Hura (independent scholar), ‘The garden: the in-between site of creativity through care’
  • Mariko Naito (Meiji), ‘The teahouse as a space for care: Suremi Horiguchi’s discovery of medieval Japanese architecture’
  • Martin van der Linden (Linnaeus), ‘Forests and feelings, mediating meanings: on power spots and the soft power of Shinto shrines’

5:10pm, Panel 6 - Intermedial sites of care 2 (Chair: Jørgen Bruhn)

  • Matilda Davidsson (Linnaeus)‘Caring for ghosts can be demanding work: emotional labor and acceptance of death in Spiritfarer’
  • Louise Drouin (Paris Cité), ‘Il rudere è senza amore: taking care of memory through ancient Renaissance painting in Pasolini’s cinema and poetry’

6:15pm to 7:30pm - Wine reception


9:15am, Panel 7 - Practices of (self-)care in literature, cinema and installation art (Chair: Marion Schmid)

  • Yi Song (Edinburgh), ‘Opacity of the Other: Chantal Akerman’s intermedial practices of care’
  • Nicolas Boileau (Aix-Marseille), ‘Faulty intermediality in Rachel Cusk’s Second Place (2021): a demand for care in the midst of an onto/ecological crisis’
  • Sarah Tribout-Joseph (Edinburgh), ‘The TV, social services and transculturalism in Faïza Guène’s Kiffe, kiffe demain’

10:30am - Coffee break

10:45am, Panel 8 - Digital & cinematic storytelling: power relations and identity models (Chair: Evan Falls)

  • Julia Larsen (Edinburgh)‘Beauty, horror, and the cosmetic gaze: the body as medium in social media and celebrity culture’
  • Anna Judelsone (Edinburgh), ‘A hero’s journey: remediating masculinity through digital collaborative storytelling’
  • Saana Sutinen (Linnaeus), ‘Boundaries of care and care as protection in the Marvel Cinematic Universe’

12:00 noon - Lunch break

VENUE CHANGE: Lister Learning and Teaching Centre (Room 4.3, Fourth floor)

1pm, Panel 9 - Photo-texts and/of care (Chair: Fabien Arribert-Narce)

  • Aqua Zheng (Chinese University of Hong Kong), ‘Photopoetry as intermedial care and correspondence: from mothering ineffability to “ensounded” practice
  • Beatrice Seligardi (Bologna), ‘The Phototextual Lyric Essay as Self-Help: Collective Archives and Personal Experience in Sophie Collins’ small white monkeys’
  • Andy Stafford (Leeds), ‘French photo-textuality in the new age of catastrophe: the case of COVID-19’
  • Emma Flodqvist (Linnaeus), ‘A liminal life: precarious conjunctions in r/LiminalSpace’

2:40pm, Panel 10 - Lack of care and AI fatigue in the creative industries (Chair: Niklas Salmose)

  • Kristian Feigelson (Sorbonne-Nouvelle, Paris), ‘Suffering at work among free-lance workers in the film and media industries’
  • Lincoln Li (Edinburgh), ‘AI fatigue and AI-mediated communication: an intermedial approach to care in the creative industries’

3:30pm - Coffee break

3:45pm, Panel 11 - Intermedial pedagogies of care (Chair: Ruth Menzies)

  • Rumiko Oyama (Meiji), ‘Nurturing “ideal” carers: the role of intermediality in education in Kazuo Ishiguro’s Never Let Me Go’
  • Paula Antela Costa (Bristol & Edinburgh), ‘Intermedial pedagogies of care: transmediality, skills development, and digital literacies in the language classroom’

4:35pm to 4:45pm - Closing remarks


How to attend

This event is open to all, and free to attend. No registration is required - simply turn up on the day.

Are you interested in studying Intermediality?

As the first UNESCO World City of Literature, home of the Edinburgh International Festival and a major cultural hub, Edinburgh is the ideal place for the study of intermediality. Our one-year taught masters programme draws on world-class teaching and research expertise across media, from literature to film, music, painting, photography and visual culture more widely.

The programme will make you conversant with intermedial theory and equip you with the critical tools and historical background for understanding and analysing a wide range of intermedial phenomena across different periods and cultures. It can also be completed part-time over two years.

Tags

Film and Intermediality